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	<title>John Q</title>
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		<title>John Q</title>
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		<link>http://johnq.org/2010/02/20/hello-world/</link>
		<comments>http://johnq.org/2010/02/20/hello-world/#comments</comments>
		<pubDate>Sat, 20 Feb 2010 01:05:23 +0000</pubDate>
		<dc:creator>joeyorr</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andy Ditzler]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[Joey Orr]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[performance art]]></category>
		<category><![CDATA[public art]]></category>
		<category><![CDATA[public scholarship]]></category>
		<category><![CDATA[queer]]></category>
		<category><![CDATA[visual methodologies]]></category>
		<category><![CDATA[visual scholarship]]></category>
		<category><![CDATA[Wesley Chenault]]></category>

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		<description><![CDATA[John Q is a new artist collective whose name references “John Q. Public.” The “public” is left understood, though the work is considered a kind of public scholarship, and the “Q” is left hanging to reference the group’s interest in queer history and politics. The collective consists of <a href="http://www.unspokenpast.net/">Wesley Chenault</a>, <a href="http://andel.home.mindspring.com/">Andy Ditzler</a> and <a href="http://www.joeyorr.com/">Joey Orr</a>.


Our first series of public interventions, <em>Memory Flash</em>, took place on Saturday, April 3, 2010. The series was progressive and moved through four interventions up Ponce de Leon Avenue to the ballparks at Piedmont Park and finally to Ansley Square. Click the MEMORY FLASH tab for more information and for the link to our comprehensive materials on Southern Spaces. <em>Memory Flash</em> was made possible by <a href="http://www.fluxprojects.org/">Flux Projects</a> and is sponsored in part by grants from the <a href="http://creativity.emory.edu/center.shtml">Emory College Center for Creativity &#38; Arts</a>, the <a href="http://www.lerfoundation.org/">Lloyd E. Russell Foundation</a> and the LUBO Fund.

Opening Thursday, May 27, 7-10PM at <a href="http://eyedrum.org/">Eyedrum</a>, is the Mondo Art Show, City Stories. This is part of the <a href="http://www.mondohomo.com/">MondoHomo</a> festival. John Q's piece, MondoPotato: Learning Through Play, appropriates the Mr. Potato Head toy adding invented and ambiguous parts to a game in which imagination is your only limitation.
[caption id="attachment_21" align="aligncenter" width="300" caption="Learning Through Play"]<a href="http://johnqcollective.files.wordpress.com/2010/02/aarl-collections-053.jpg"><img src="http://johnqcollective.files.wordpress.com/2010/02/aarl-collections-053.jpg?w=300" alt="" title="MondoPotato" width="300" height="225" class="size-medium wp-image-21" /></a>[/caption]
[caption id="attachment_22" align="aligncenter" width="300" caption="Learning Through Play"]<a href="http://johnqcollective.files.wordpress.com/2010/02/aarl-collections-041.jpg"><img src="http://johnqcollective.files.wordpress.com/2010/02/aarl-collections-041.jpg?w=300" alt="" title="MondoPotato Friends" width="300" height="225" class="size-medium wp-image-22" /></a>[/caption]
<a href="http://johnqcollective.files.wordpress.com/2010/02/mondohomo.jpg"><img src="http://johnqcollective.files.wordpress.com/2010/02/mondohomo.jpg" alt="" title="MondoHomo" width="200" height="300" class="aligncenter size-full wp-image-23" /></a> <a href="http://johnq.org/2010/02/20/hello-world/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=johnq.org&#038;blog=12137225&#038;post=1&#038;subd=johnqcollective&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p><strong>THE CAMPAIGN FOR ATLANTA: an essay on queer migration by John Q<br />
Friday May 17 and Saturday May 18, 2013                                                           6:30pm reception, 7pm performance, no late seatings can be accommodated $8/person, Atlanta Cyclorama, 800 Cherokee Avenue in Atlanta&#8217;s Grant Park<br />
</strong></p>
<p>&#8220;[an] ambitious work&#8230;promises to be an unusual combination of cinema, painting, the written word, and performance.&#8221; -<a href="http://clatl.com/freshloaf/archives/2013/04/23/john-q-to-take-over-cyclorama-in-may" target="_blank">CREATIVE LOAFING ANNOUNCEMENT</a></p>
<p>&#8220;This is huge for Atlanta! Combining contemporary artistic platforms and historically-imbued venues is not only contextually compelling, but also will hopefully forge a path for more challenging public works in our city.&#8221; <a href="http://burnaway.org/2013/05/preview-john-q-presents-the-campaign-for-atlanta-at-historic-cyclorama/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=preview-john-q-presents-the-campaign-for-atlanta-at-historic-cyclorama" target="_blank">-BURNAWAY PREVIEW</a></p>
<p>The Atlanta Campaign was a Civil War military strategy that moved Union troops through the state and into the city. <i>The Campaign for Atlanta</i> is a performative essay about queer migration into urban areas.</p>
<p>Crawford Barton, an artist who photo-documented San Francisco&#8217;s Castro district through decades of immense social and political change, was a Georgia native from the rural town of Resaca. <i>The Campaign for Atlanta</i> features Barton’s exhilarating Super-8 movies of 1970s San Francisco, Resaca, and Atlanta, archived and unseen for decades.</p>
<p style="text-align:center;"><a href="http://johnqcollective.files.wordpress.com/2010/02/campaign-collage-hi-res.jpg"><img class="aligncenter" alt="Campaign Collage hi res" src="http://johnqcollective.files.wordpress.com/2010/02/campaign-collage-hi-res.jpg?w=640&#038;h=315" width="640" height="315" /></a></p>
<p style="text-align:center;"><a href="http://johnqcollective.files.wordpress.com/2010/02/johnq_campaignforatlanta_pressrelease-1.pdf">For More Information</a></p>
<p style="text-align:center;"><a href="http://www.artsatl.com/2013/05/review-place-john-limns-queer-migration-eerie-final-twist/" target="_blank">ArtsATL weighs in</a></p>
<p style="text-align:center;">Coverage in the GA Voice <a href="http://www.thegavoice.com/aae/38-feature/6175-john-q-collective-uses-cyclorama-as-metaphor-for-lgbt-migration" target="_blank">HERE</a></p>
<p style="text-align:center;">See our interview with the National Council on Public History <a href="http://publichistorycommons.org/library/brock-john-q-interview/" target="_blank">HERE</a></p>
<p style="text-align:center;">John Q is an idea collective whose name references “John Q. Public.” The “public” is left understood, though the work is considered a kind of public scholarship, and the “Q” is left hanging to reference the group’s interest in queer history and politics. The collective consists of <a href="http://wesleychenault.wordpress.com/" target="_blank">Wesley Chenault</a>, <a href="http://frequentsmallmeals.com/" target="_blank">Andy Ditzler</a> and <a href="http://www.joeyorr.com/" target="_blank">Joey Orr</a>.</p>
<p style="text-align:center;"><a href="http://johnq.org/2010/02/20/hello-world/#gallery-1-1-slideshow">Click to view slideshow.</a></p>
<p style="text-align:center;">2011 award from <a href="http://artistregistry.artadia.org/registry/view_artist.php?aid=236" target="_blank">Artadia: The Fund for Art and Dialogue</a> (NY)</p>
<p style="text-align:center;"><a href="http://clgbthistory.org/prizes/allan-berube-prize/" target="_blank">Allan Bérubé prize </a>Honorable Mention from the Committee on LGBT History of the <a href="http://www.historians.org/" target="_blank">American Historical Association</a>.</p>
<p style="text-align:center;"><a href="http://www.thejoshmag.com/" target="_blank">The JOSH (Journal of Sexual Homos) </a>special issue curated by John Q is now part of the <a href="http://digital-libraries.saic.edu/cdm4/index_jfabc.php?CISOROOT=/jfabc" target="_blank">Joan Flasch Artist Book Collection</a></p>
<p style="text-align:center;">contact us at JohnQcollective[at]gmail[dot]com</p>
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